And Only Infrequently, by Holly Day

And Only Infrequently
by Holly Day

We exchange pictures through the mail because words
aren’t good enough. The passage of time is explained
through the faces of strangers, in the pictures of children
only known in person as tiny, warm babies
coiled and asleep, newly born. The envelopes

also contain pictures of people I know
but older, grayer, tired. My sister’s gap-toothed smile
has been replaced by the tight grin
of a woman with perfect teeth
standing next to her own family—her goofy college sweetheart
is now a man holding hands with a toddler.
I put pictures of me, my children, their father
in a similar envelope
seal it without looking

without wanting to look
still in denial that time
has passed at this end as well.

Holly Day’s poetry has recently appeared in The Cape Rock, New Ohio Review, and Gargoyle. Her nonfiction publications include Music Theory for Dummies, Music Composition for Dummies, Guitar All-in-One for Dummies, Piano and Keyboard All-in-One for Dummies, Walking Twin Cities, Nordeast Minneapolis: A History, and Stillwater, Minnesota: A History. Her newest poetry collections, A Perfect Day for Semaphore (Finishing Line Press), I’m in a Place Where Reason Went Missing (Main Street Rag Publishing Co.), and Where We Went Wrong (Clare Songbirds Publishing) will be out mid-2018, with The Yellow Dot of a Daisy already out on Alien Buddha Press.

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